Trust Art is a social platform that is commissioning
ten public artworks over the next year. People are invited to
become shareholders with $1, share with interested friends, and renew culture.

Perfume Fountain for Humanity

A public project led by artist Anne McClain

Project Proposal

The creation of a perfume begins with a brief. For Anne’s project, that brief is to create a scent based on the experience of an act of humanity.

In September of 2009, Anne will travel to the city of San Miguel de Allende in Mexico with a group of twelve friends and perfumers and spend one week volunteering at the Casa de los Angeles, teaching art and visiting the local botanical garden at a day care center for children of single mothers. This act will serve as a tribute to a friend of Anne’s who volunteered at the Casa de los Angeles in 2003 and wrote of her experience, “I want to work with children..and do something to somehow improve their lives. I know that sometimes that means simply being 'present' to them..sharing a hug, holding them, smiling with them. We don't always have to do the big things to make a difference. If in my time of working with them I can benefit their families and the community in which they live I will be grateful.”

In Grasse, France, the capital of the perfume industry, Anne will create the Humanity scent by combining the techniques of modern perfumery and her studies in aromatherapy. Anne's intention is to use the inherent healing and transformative effects of natural plant materials to create a scent to uplift, encourage relaxation and making connections, stimulate compassion, and nurture a sense of letting go.

The Humanity scent will take the form of a fountain of perfumed water. A place of gathering often found in town squares (in Grasse, a fountain is located in the central square where the daily flower market takes place; in San Miguel de Allende the area where the fountain is located is called El Jardin), the fountain will serve as a place for communing, contemplation, and reflection. The creation of the fountain will be a collaborative effort between Anne, glass artist Alan Iwamura, and industrial designer Lance McGregor.

The fountain will be placed in a public space in New York, acting as a gathering place for people to experience the inspiration and meaning behind Humanity. The fountain is meant to transmit positive energy into the public. The question it will pose is: can good will be spread through scent?

About the Artist

Anne McClain is currently attending the Grasse Institute of Perfumery, taking courses in natural and synthetic raw materials, chemistry, and creation. She studied environmental studies, philosophy, and art at Brown University.

Anne fell into scent as an artistic medium through photography. Anne used photography in the same way she uses scents now - to flatten an experience or memory into something tangible. She also studied aromatherapy to understand the psychological effects the distillation of flowers, resins, barks, peels, leaves and other plant materials have on people.

Anne is passionate about revealing scent's power as artistic medium, and the unparalleled beauty of natural raw materials.

Artist's Past Work







Photography naturally lead Anne to scent artistry. Both mediums lend themselves to the pursuit of trying to capture moments and memories. Anne loves the dreamy, lingering quality that the memory of place can give over time. The excitement and displacement of travel leads one to an experience of being untethered. Anne likes to try and take those feelings, somewhere between illusion and reality, and to condense it, to flatten it, to create something so that she can remember what it feels like, always.




108, 2004
While spending four months living in Nepal, Anne studied with a rinpoche and was initiated into Tibetan Buddhism by a lama. This book recounts some of the insights into her spiritual practice, accompanied by photographs.




Transit/Home, 2005
For a period of a few years Anne travelled incessantly visiting Thailand, Indonesia, Baja California, Japan, and Hawaii, all the while thinking of someone she loved. They circled the globe on different paths, sometimes meeting and sometimes not. They took photographs influenced by each other and collected them into a book.




Kept, 2008
Stemming from her fascination with all things relating to memory, Anne was thinking about the phrase 'a kept woman'. She realized that not only would she most likely be keeping herself, she wanted it that way. At the time she was disappointed in love and conceived of a loverʼs gift to herself. she cut a hole through the center of a book about Paris, writing a story of lost love along the edges. In the void she placed a ring and the book became a jewelry box which she kept for herself.

Perfume - Right1

From The Artist

Perfume - Right2

Your Voice

« San Miguel de Allende, Mexico | Main | Rose de Mai »
Wednesday
Jun172009

7 Questions for...Yosh Han, Founder of Eau de Yosh

What has always appealed to me most about San Francisco-based perfume artist Yosh is that she's not afraid to express some spirituality in her philosophy and her creations.  We met a year and a half ago and she has shared some of her perfume knowledge with me, and mentored me through my decision to become a perfumer.  Here she shares a bit of her philosophy.  Thanks Yosh!

The story on your website weaves an intuitive and almost spiritual journey to your discovery of perfumery.    Do you think that art in general has a kind of mystical quality to it?  

Absolutely. Art is a manifestation of a person’s spiritual path. Each person’s inner landscape is unique. When it can be expressed, the artwork is created. Some people are more evolved in their technique to be able to express that creativity. We see that especially in technical art forms where those talented Artists understand how to manipulate their mediums…for example like sculpture or glass blowing or perfumery. But whatever the art form – whether it’s paints or music, the best artwork surfaces when the Artist is in that mystical flow. Energetically, that is when the Artist is embodying that perfect state and the artwork of course is that expression of that spiritual place. As a consumer, when you view that artwork, you’re moved by that artwork because it resonates with you on an energetic level.  

What excites me about perfumery is distilling a memory down to it’s essence, and telling that story and conveying that feeling in scent.  What excites you?  

I am also excited by memory and perfume – it’s so obviously linked. Right now, I am jazzed when clients have that ‘aha’ moment; when the fragrances have worked their magic and the essences speak directly to the client’s heart. You see their whole body shift, their facial expression changes. They let down their guard and the client unfolds their true essential being. It’s almost like the client goes through many memories as they are smelling the essences.  Something happens through the journey where they release, release, release and then come into present time. So many people are disassociated or disconnected in their daily lives; the fragrances have the magical ability to bring every one front and center. It always happens. The timing differs with each individual, but it always happens. I am most excited to witness it. I often feel that I’m just the conduit and that I’m just there to facilitate that moment when the client comes into their body, into their true self and connect to their Spirit.  

What is your favorite raw material to work with?  

I’m loving the herbs now. Sage, lavender, rosemary, basil, juniper. Especially rosemary verbenone – I have a CO2 extract that smells heavenly. I just want to dive into the bottle.  

If you could collaborate with any organization on a project for a good cause, who would you collaborate with and what would your project be?  

I have worked with a literary organization called 826 Valencia, started by Dave Eggers for many years. First with the Pirate Perfumes and then more recently with the Time Travel Fragrances. It’s wonderful because the literary centers have grown to 8 branches across the country and each one has it’s own theme. I’d love to continue in that vain, connecting perfumes with literacy and literature – especially with children. Too much fun!  

Was it a conscious decision for you to want to be an independent perfumer with your own line, as opposed to working at a perfume company?  

The whole process of starting my business was rather accidental or one could say, synchronistic and organic. I didn’t really understand the whole perfume industry until I created my own company. I would not work at a big perfume company more because I don’t really enjoy corporate culture, but I can appreciate its value. I see them as two different segments, really.  

What do you think about aromatherapy?

Therapeutic use of plants has been around for a long time. Culturally, I grew up using plants for healing so when I first learned about aromatherapy, I fell in love with it. I had been working at a nursery and floral boutique so then I learned about distillations and essential oils, my mind went bonkers.   Plants are so complicated – with all its information stored in its cells. Aromatherapy has been dumbed down and commoditized – it’s kind of tricky. On one level, it’s wonderful to find soaps with lavender at the supermarket but that is only the tip of the ice berg. There is just so much wealth in the plants! I’d love to see more people embracing scents in their daily lives and in their homes.    

Describe your most memorable experience with scent.    

I went to Turkey with the aroma kinesiologist, Robbi Zeck a few years ago. We went to Isparta to pick roses with the farmers and then went to a distillery. At the distillery, there was an ante chamber with fresh rose buds and petals filling the whole room. There were about a dozen of us on that trip and we all jumped in. I couldn’t believe the smell and the luxury of being totally buried in a ton of roses. Really amazing! 

 

Reader Comments (2)

Hi, I am Valerie. I am going to attend the test for the course of student perfumers in Grasse Institute of Perfumery.
Could you please tell me about the detail of the course? and how to prepare for the test? thank you very much!!

July 21, 2009 | Unregistered CommenterValerie Ho

Hi Valerie,
That's great that you are thinking about studying perfume!
Please contact me on my personal address and I can tell you what I know about the entrance exam for the Grasse Institute of Perfumery.

annemcclain@mac.com

July 21, 2009 | Unregistered Commenteranne

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