Trust Art is a social platform that is commissioning
ten public artworks over the next year. People are invited to
become shareholders with $1, share with interested friends, and renew culture.

School of the Future

A public project led by Cassie Thornton

Project Proposal

The purpose of the School of the Future is to establish a school run by teaching artists using the problem solving techniques of art to approach… everything. There are two distinct but corresponding phases of this project. First, the teaching Artist Union, co-founded by Thornton, aims to build a community of teaching artists with the following mission:

"With this union, we aim to define the role of the teaching artist through developing a supportive community, celebrating and exhibiting the work produced in teaching situations, and advocating for the rights and needs of the teaching artist. We work in many different kinds of environments: for non profit arts organizations, schools, museums, and other agencies. Because we believe that art can invigorate, agitate, and reorient stale institutional habits, we want to develop a lasting structure to support the happiness and health of every manifestation of Teaching Artist."

Next, the artist will build a temporary, collapsible mobile school in Sergeant Dougherty Park in Bushwick. Local youth will be invited to attend free classes taught by members of the Teaching Artist Union in order to test out a new experimental curriculum in the community in real space and with real people over the course of one month.

About the Artist

Cassie Thornton views herself as a “street worker,” akin to a contemporary churchman or 19th century charity worker. Her work is a series of attempts to find a sense of belonging wherever she is. It has taken the form of setting up offices in neighborhoods throughout the world, from Flatbush to Finland, where she offers a professional service—consultant, fortune teller, diplomat, entrepreneur, aesthetician, surveyor—as an excuse for interacting with the residents.

Through the documentation of these various interactions, Thornton is building a database of experience and ephemera that informs the next business endeavor. She aims to work between a macroworld and a microcosm, as a diplomat between an infinite outside world and the minutia of the local.

Past projects have taken place at Saksala Art Radius in rural Finland, School of Fine Arts in the Yucatan, Subtle Technologies Conference at the University of Toronto, and Peekskill Project at Hudson Valley Center for Contemporary Art. Thornton has worked as an art educator since 2006, which most recently has included residencies the Center for Urban Pedagogy in Brooklyn, Brooklyn College Community Partnership, Ox-Bow, and Brooklyn Arts Council. She is currently co-founding the Teaching Artist Union.

Artist's Past Work




Infinite Housing Projects
Cassie made a series of 3-d models and prints on paper that combined the ideas and practices of moral architecture with holistic medicine in order to re-imagine Le Corbusier’s model utopian communities, whose vexed adoption by many governments render them notorious. As a gesture towards a new type of tonic culture, she used mythically healing root vegetables to print the facades of the public housing of this era. By using magical ingredients to build new versions of old buildings Cassie imagines that she is thwarting monumental forces of bad architecture. Read more here.




Tagging the Social Contract, 2007
How does our behavior change from one space to another? Cassie led twenty-five seniors at the Heritage High School in East Harlem in the final semester of their government class in investigating the meaning of the social contract and its translation into contemporary spaces in New York City. The team defined the Social Contract as a silent contract in which people sacrifice individual freedom for the betterment of a larger group. The team observed public and private spaces where invisible rules maintain a status quo. They went to an episcopal church, a Kennedy Fried Chicken, the mall, the last car on the 6 train, and a basketball court. After collecting evidence (photos, video, audio) of the spaces, each space was labeled or ‘tagged’ with a list of behaviors. The resulting website displays images of different locations tagged with the behaviors spotted there.




The Future Unincorporated, 2007
Future Unincorporated is a consulting company created by Cassie. The mission of The Future Unincorporated was to create an office where very important meetings can take place. To consult is to give and take advice. Cassie developed an interrogation system that created a reason for conversation with each individual client. The goal of the interrogation is to amass information about individuals in order to discover the perfect corporation inside every person. The Future Unincorporated understands the future starts in only 5 minutes, and it goes on forever. The company would like to ask you what you will be doing then. It believes the consultations will change the future just by talking about it. Read more here.




The Saddest Little Paintings
Every moment on the internet is a unique and finite experience. Not just because the world where your computer sits is constantly changing, but because the sites that you view are also constantly being redesigned. Sometimes I reflect on a day based on what I found online, and I know I can never quite reproduce that experience of discovery because the path I took to find it originally has changed, and the day after, the links are different. I began to paint websites as a way to remember important experiences, which often have roots in what I find online. See more paintings here.

Craptop
In the sunless winter of Finland, Cassie embarked on a quest for personal corporate acknowledgement and support,. After her laptop broke, she opened renegade Apple franchises in abandoned forest real-estate--capitalizing on the undewhelmed cultural landscapte of the Scandinavian forest. Cassie journey concluded with the grand opening of a commemorative five foot version of the technomiraculous 5th Avenue Apple store, and the unveiling of an earth-shattering technology that hopes to revolutionize all other Apple products. See it here.

Craptop Primal Laptops by Williamsburg's Children, 2007
Stimulus - Right1

From The Artist

Stimulus - Right2

Your Voice

« Cassie Thornton's 'School Flag' is part of Brave Brooklyn | Main | Documentation and Phollowup:Socio-Grams with Institute of Applied Aesthetics »
Sunday
Nov292009

Mobile School Building


In preparation for Tuesday's meeting with Kate Cahill, when we will discuss the building for the School of the Future-- a mobile modular school, this is an email interview that might clarify some questions about this 'school' 'building'. Please chime in online or at our meeting next Tuesday if you are interested!

Kate also gave us this amazing link to Pushcart Schools in the Philippines:
"For the past 12 years, Peñaflorida and his team of teen volunteers have taught basic reading and writing to children living on the streets. Their main tool: A pushcart classroom."

http://edition.cnn.com/2009/LIVING/wayoflife/03/05/heroes.efren.penaflorida/index.html

Questions by Kate Cahill
, answers by Cassie.

How permanent is the school?
I see the school as being permanent, adaptable, reusable, moveable. It should be modular so that it can be adapted to many different terrains and class situations. I like the pushcart idea as a complimentary piece of the school-- it can be sent out for project missions from the mothership. For this summer we will be set up in Sgt. Dougherty Park for a one month trial run of the school.

How many people to set it up/break it down?
The school should be able to be set up with two people to begin. more difficult construction can happen at each school site depending on what is happening, but the basic part should be pretty light and simple- a fancy tent that's more than a tent.

Is transport on the back of a bike still the goal? Maybe the pushcart can attach to a bike, but the entire thing could be larger... maybe small enough to fold and fit into a medium size vehicle.
How many occupants at once? Hmm, since I am thinking of the school building as being quite small with opportunities to expand out, the nucleus part only needs to hold 4-6 people at a time. That can act as an office and more intimate workspace.
What kinds of space will be needed?
I think we need a good place to talk, draw, eat, and construct models: a table, a whiteboard, some seating.

What goes on inside? (bathroom? drinking water? storage? dancing? climbing wall?) Can you reveal more to me about what kind of school/learning is going to be housed by this structure?
I don't think we need a bathroom. I see it as a meeting and brainstorming boutique. A place where we plan- a central idea nucleus lab, and our actions move outward, expand physically from the central space by ways of lots of snaps, velcro, and ziptied attachments, amendments, extensions. LeCorbusier's museum of unlimited growth is a good way for me to think about it. Every class might add its own addition until the original central room is completely disguised. So, I am not sure what will happen inside. I will type a list from the notes that I have taken from our discussions, but there is a broad range from dancing to shoemaking.

I see a grey water system listed as a potential. is that born out of a need for water, or a general desire to include some shinny sustainable tactics?

I think the grey water system is a great way to begin to use observation and reactivity as a cornerstone for curriculum. The school will first exist in a derelict deserted park next to the BQE, bordered by STAPLES and the ConEdison plant fields. In reaction, we should do whatever we can to clean it up, spiff it up, process the air and water and soil like we are the mushrooms, remediating what we can. It doesn't have to be a permanent feature of the school, but it should definitely be explored for this summer's manifestation.

$10 - $100K...general range, what sort of budget are we talkin' here?
I hope to raise more than $5K. We have the potential to work with Association of Teaching Artists and I am spreading the word to other interesting organizations who might give us more clout in the fundraising world. I am working with TrustArt still too, and they are really into raising social and financial capital, and if we set a goal they will help us meet it. I am in the dark as to what we NEED but I think that if you help us define the cost of materials AND we start hoarding materials NOW we can definitely make exactly what we want.


Exactly who all is involved in this project?

Everyone-- Teaching Artist Union is my main community, but that said, it is growing and expanding constantly. I want to find ways to involve all the artists I know. There is interest from the outside, from other organizations, but I want it to mostly be made out of a community for that community. That's us! Teaching artists, artists, teachers! And I want to offer local members of Bushwick and Greenpoint a sincerious place in the process and the school itself.

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